bchs football :: essays research papers

In 1957, many important events occured. Possibly the most important was, the launching of Sputnik 1, the first satellite sent into space, on October 4, 1957 by the country of Russia. This event left many American's shocked and surprised, that it was possible to send something into space successfully. Four months after the launch of Sputnik 1, America launches Explorer 1 the first U.S. satellite, this sparked the beginning of the space race. President Dwight D. Eisenhower sends federal troops to Little Rock, Ak, to ensure the integration of Central High School. He also signs the Eisenhower Doctrine, promising that the United States would resist all Communist aggression in the Middle East. This year is also the year the frisbee and the hula hoop are introduced. The Boeing 707 passenger jet makes its innaugural flight this year as well. In Disneyland, the "House of Tomorrow" opened its doors to the public. In the music industry Rock & Roll as well as Doo Wop, made their statements to the world. Elvis became the king of Rock & Roll after releasing two hit singles Jailhouse Rock and All Shook Up. Buddy Holly and the Crickets released their single That'll Be The Day. Other career musicians who made their mark during this year include: Johnny Mathis, Paul Anka, The Everly Brothers, and Sam Cooke. American Bandstand goes coast to coast on August 5, 1957, after being a local Philadelphia show since 1952. In '57 Elvis made another big impression on the country besides with his music, this was the year his first movie opened it was called Love Me Tender. The same year a twenty-two year old unknown Michael Landon has the starring role in the B- movie I Was A Teenage Werewolf. As all this stuff was going on in the world, Coach Don Wilson of Bolivar, Tn was getting ready for a new season of good old highschool

Explore Austen’s Presentation Of Marriage in Pride & Prejudice Essays

Explore Austen’s Presentation Of Marriage in Pride & Prejudice Marriage forms the basis of the events featured in Pride and Prejudice and is presented in various ways in order to convey to readers the importance of it in society and the expectations which come with it. Throughout the book, Austen clarifies what makes a good marriage and how society views marriage as a unity of equal classes and a way to establish connections. The first aspect of marriage which is revealed is the way a person’s position in society affects the choice of partner. Austen states in the opening line of the book: â€Å"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife† This line both sets out the beliefs that were held by society at the time, but also the tone of the book and the attitudes of the characters featured. From this line, we can learn that society considered marriage to be not only a unity of two people but also a unity of assets and connections in society. The expectations held by people are also revealed in the way that it is expected of men with a sound financial status to succeed in marrying a woman of equal if not higher status in order to maintain the connections previously established. This line stresses the belief that wealth was of great importance in society and that it was a factor that was taken into consideration even before love and was believed to form the basis of a successful marriage. Another aspect portrayed by this line is the extent to which Austen included irony in her writing. The word universal for example indicated that this is a worldwide belief, however, it is the belief of the several characters portrayed throughout th... ...formed due to the upbringing of people in different classes and the fact that women at the time had very few rights and little independence and therefore relied on men much more than in today’s society. Due to the extreme differences between the classes, many views were held in order to keep money in one family; such as the view of arranged marriages between relations. Society had very strict views on what was and was not acceptable behaviour and people such as Lydia who broke these unwritten codes of conduct suffered exclusion from society. Although the storyline speaks about love and marriage, it also reveals to readers other aspects of society which are not as positive, such as a marriage of convenience, and therefore helps readers to understand why many characters acted in the way they did and how society affected behaviour and influenced decisions.

Anti Nature Concept by Nietzsche Essay

The name of Nietzsche occupies one of the leading places among the greatest philosophers till nowadays. His influences can be traced in postmodernism and existentialism. His theories and views are studied by scientists and students; his profound and sharp understanding of reality and human nature attract attention of numerous people all over the world. His most well-known theory is related to â€Å"Will of Power†. The notion of the superhuman – Uebermensh – as a key to understanding of the power, every human being is bearing inside, totally confronts the general philosophic approach , where all reasons and questions are investigated only the in the frames of sole truth. These ides are developed in his work â€Å"The Twilight of the Idols†, where the readers find Nietzsche’s strong confrontation of the Socrates’s approach of rationalism. His strongest critic of the Socrates’s views relates to lack of life appreciation and resistance of the human instincts, because he states, that â€Å"Resisting instincts is just a sickness and not at all a way back to virtue or happiness.† (Bailey 2002). Here we are coming closer to the major point of our research, namely to the understanding of morality. One of the most vital concepts of Nietzsche was his suggestion, that morality builds the serious obstacle for enjoying of most of life passions and desires, or how he formulated it – â€Å"morality as anti-nature†. In his work Morality as Anti-Nature Nietzsche is discussing the ways, how religion and morality, spread via religion, are able to change and suppress human nature. Nowadays a lot of people are living according to some biblical rules and precepts. During the times, when Nietzsche lived, the church was considered to be even a stronger mentor for most individuals, who made their choices and selected their life directions only based on the rules, preached by the priests. Nietzsche was absolutely against it; he insisted that religion did not consider the nature of humanity. According to the church all people were to fight against their bad sides, where according to Nietzsche all people were born initially good and they did not need the religious rules to follow them, but rather follow their own desires and  passions. The highest potential in development throughout the whole life can be reached, as Nietzsche stated, only with the help of inside passions, and never the ideals of church. T he church demanded from its followers to suppress all the passions in order to become real Christians. In this way the church was exchanging the natural passions of individuals with morality. The idea of free will was also understood by Nietzsche not in the way as it was presented by the church. The believers were supposed to follow all the God’s rules as he was the most powerful being, at the same time, they were to carry responsibility for their decisions and actions. â€Å"Today we no longer have any pity for the concept of â€Å"free will†: we know only too well what it really is — the foulest of all theologians’ artifices, aimed at making mankind â€Å"responsible† in their sense, that is, dependent upon them. Here I simply supply the psychology of all â€Å"making responsible.† (Bailey 2002). At this point Nietzsche used this theory for explaining his understanding of cause and effect. â€Å"The church’s use of counterfactual causality expands to an imaginary and false perception in the mind, and people ultimately jump to conclusions, giving all the credit to a higher form or being.† (Bailey 2002). Nietzsche a lso criticized the situation when instead of looking for plausible answers. The followers of the church just believed, that the word of God was the only true reason. Thus Christianity, as he wrote, was to bear the responsibility for making its followers closed minded and going against their nature. â€Å"He ultimately believed that religion creates a concept of anti-natural morality which damages our development as humans quite greatly, eventually ending our status and right as individuals once the church gets involved† (Jacobus 13). In Nietzsche’s eyes, it was an attempt to substitute all the intelligence and natural passions, human beings were possessing, with blind and poor spirituality. In this case, he stated, that those, who could invent all such spiritual and moral restrictions, were ill-willed and not able to control their own passions. They themselves were not inclined to further intellectual and moral development, thus they used morality as anti-nature to restrict other individuals in improvement of their lives. Only individuals, who are absolutely not under control of any morality, could be referred to as ideal human beings, because their actions and choices would be based purely upon their natural passions. Their judgments concerning right and wrong things would be under the influence of  their inside passion only. Overall, we have studied the key notions of the Nietzsche’s theory, related to the issues of morality, which according to him is the most serious obstacle in formation of li fe direction, based on the natural instincts and passions. On the one hand, he could be right saying that morality itself is certainly restraining the activities and decisions of people. However, on the other hand our ability to control our emotions and passions is the major feature, which defines us as human beings, not animals. Works cited Bailey, A. First Philosophy: Fundamental Problems and Readings in Philosophy. Broadview Press. 2002 Jacobus L.A. A World of Ideas: Essential Readings for College Writers. Bedford/St. Martin’s. 2013 Hayman, R. Nietzsche: A Critical Life. Oxford University Press (New York), 1980.

Hoyts Cover Leter

Manager Hoyts Cinemas Dear Sir/Madam, I am apply for you position as team member at Hoyts Cinemas, Broadmeadows. I believe I am the best candidate, as I not only fill the stated requirements for the position but, offer to your company my talents, determination and keen interest in customer service. I have a very welcoming personality and a warm approach to not only my employment interactions but also my fellow employees. My former position as Crew Member at KFC had allowed me to display enthusiasm, persistence and attention to detail; all qualities that I believe would be an excellent addition to your establishment.Achieving excellence in customer service and connecting well with clients has always been of high importance throughout my work experience. I consider it necessary to build up a good rapport with all customers so that they enjoy their experience and have a desire to return. I hope to have the opportunity to prove that I am able to perform not only my set duties but to bran ch out, using initiative and flexibility in other tasks. I endeavour to understand exactly what clients’ need and promote as much as is necessary without being overbearing.I am also familiar with Windows and Mac processing and have excellent written and verbal communication. I am available to work weekends and would be happy to take on other days, if necessary. In writing this letter, I have attempted to convey my personality and expose strengths that are of use to your company. Actions however, do speak louder than words, and so I suggest a meeting, where you will better understand my inviting manner and hospitable nature. I am eager to meet with you so please, do not hesitate to call or email me. Thank you for your consideration. Sincerely,

The Lost Symbol Chapter 67-70

CHAPTER 67 West of Embassy Row, all was silent again inside the walled garden with its twelfth-century roses and Shadow House gazebo. On the other side of an entry road, the young man was helping his hunched superior walk across an expansive lawn. He's letting me guide him? Normally, the blind old man refused help, preferring to navigate by memory alone while on the grounds of his sanctuary. Tonight, however, he was apparently in a hurry to get inside and return Warren Bellamy's phone call. â€Å"Thank you,† the old man said as they entered the building that held his private study. â€Å"I can find my way from here.† â€Å"Sir, I would be happy to stay and help–† â€Å"That's all for tonight,† he said, letting go of his helper's arm and shuffling hurriedly off into the darkness. â€Å"Good night.† The young man exited the building and walked back across the great lawn to his modest dwelling on the grounds. By the time he entered his flat, he could feel his curiosity gnawing at him. The old man clearly had been upset by the question posed by Mr. Bellamy . . . and yet the question had seemed strange, almost meaningless. Is there no help for the widow's son? In his wildest imagination, he could not guess what this could mean. Puzzled, he went to his computer and typed in a search for this precise phrase. To his great surprise, page after page of references appeared, all citing this exact question. He read the information in wonderment. It seemed Warren Bellamy was not the first person in history to ask this strange question. These same words had been uttered centuries ago . . . by King Solomon as he mourned a murdered friend. The question was allegedly still spoken today by Masons, who used it as a kind of encoded cry for help. Warren Bellamy, it seemed, was sending a distress call to a fellow Mason. CHAPTER 68 Albrecht Durer? Katherine was trying to put the pieces together as she hurried with Langdon through the basement of the Adams Building. A.D. stands for Albrecht Durer? The famous sixteenth-century German engraver and painter was one of her brother's favorite artists, and Katherine was vaguely familiar with his work. Even so, she could not imagine how Durer would be any help to them in this case. For one thing, he's been dead more than four hundred years. â€Å"Durer is symbolically perfect,† Langdon was saying as they followed the trail of illuminated EXIT signs. â€Å"He was the ultimate Renaissance mind–artist, philosopher, alchemist, and a lifelong student of the Ancient Mysteries. To this day, nobody fully understands the messages hidden in Durer's art.† â€Å"That may be true,† she said. â€Å"But how does `1514 Albrecht Durer' explain how to decipher the pyramid?† They reached a locked door, and Langdon used Bellamy's key card to get through. â€Å"The number 1514,† Langdon said as they hurried up the stairs, â€Å"is pointing us to a very specific piece of Durer's work.† They came into a huge corridor. Langdon glanced around and then pointed left. â€Å"This way.† They moved quickly again. â€Å"Albrecht Durer actually hid the number 1514 in his most mysterious piece of art–Melencolia I–which he completed in the year 1514. It's considered the seminal work of the Northern European Renaissance.† Peter had once shown Katherine Melencolia I in an old book on ancient mysticism, but she didn't recall any hidden number 1514. â€Å"As you may know,† Langdon said, sounding excited, â€Å"Melencolia I depicts mankind's struggle to comprehend the Ancient Mysteries. The symbolism in Melencolia I is so complex it makes Leonardo da Vinci look overt.† Katherine stopped abruptly and looked at Langdon. â€Å"Robert, Melencolia I is here in Washington. It hangs in the National Gallery.† â€Å"Yes,† he said with a smile, â€Å"and something tells me that's not a coincidence. The gallery is closed at this hour, but I know the curator and–â€Å" â€Å"Forget it, Robert, I know what happens when you go to museums.† Katherine headed off into a nearby alcove, where she saw a desk with a computer. Langdon followed, looking unhappy. â€Å"Let's do this the easier way.† It seemed Professor Langdon, the art connoisseur, was having an ethical dilemma about using the Internet when an original was so nearby. Katherine stepped behind the desk and powered up the computer. When the machine finally came to life, she realized she had another problem. â€Å"There's no icon for a browser.† â€Å"It's an internal library network.† Langdon pointed to an icon on the desktop. â€Å"Try that.† Katherine clicked on the icon marked DIGITAL COLLECTIONS. The computer accessed a new screen, and Langdon pointed again. Katherine clicked on his choice of icon: FINE PRINTS COLLECTION. The screen refreshed. FINE PRINTS: SEARCH. â€Å"Type in `Albrecht Durer.' â€Å" Katherine entered the name and then clicked the search key. Within seconds, the screen began displaying a series of thumbnail images. All of the images looked to be similar in style–intricate black-and-white engravings. Durer had apparently done dozens of similar engravings. Katherine scanned the alphabetical list of his artwork. Adam and Eve Betrayal of Christ Four Horsemen of the Apocalypse Great Passion Last Supper Seeing all the biblical titles, Katherine recalled that Durer practiced something called Mystic Christianity–a fusion of early Christianity, alchemy, astrology, and science. Science . . . The image of her lab in flames rushed through her mind. She could barely process the long-term ramifications, but for the moment, her thoughts turned to her assistant, Trish. I hope she made it out. Langdon was saying something about Durer's version of the Last Supper, but Katherine was barely listening. She had just seen the link for Melencolia I. She clicked the mouse, and the page refreshed with general information. Melencolia I, 1514 Albrecht Durer (engraving on laid paper) Rosenwald Collection National Gallery of Art Washington, D.C. When she scrolled down, a high-res digital image of Durer's masterpiece appeared in all its glory. Katherine stared in bewilderment, having forgotten just how strange it was. Langdon gave an understanding chuckle. â€Å"As I said, it's cryptic.† Melencolia I consisted of a brooding figure with giant wings, seated in front of a stone building, surrounded by the most disparate and bizarre collection of objects imaginable–measuring scales, an emaciated dog, carpenter's tools, an hourglass, various geometric solids, a hanging bell, a putto, a blade, a ladder. Katherine vaguely recalled her brother telling her that the winged figure was a representation of â€Å"human genius†Ã¢â‚¬â€œa great thinker with chin in hand, looking depressed, still unable to achieve enlightenment. The genius is surrounded with all of the symbols of his human intellect–objects of science, math, philosophy, nature, geometry, even carpentry–and yet is still unable to climb the ladder to true enlightenment. Even the human genius has difficulty comprehending the Ancient Mysteries. â€Å"Symbolically,† Langdon said, â€Å"this represents mankind's failed attempt to transform human intellect into godlike power. In alchemical terms, it represents our inability to turn lead into gold.† â€Å"Not a particularly encouraging message,† Katherine agreed. â€Å"So how does it help us?† She did not see the hidden number 1514 that Langdon was talking about. â€Å"Order from chaos,† Langdon said, flashing a lopsided grin. â€Å"Just as your brother promised.† He reached in his pocket and pulled out the grid of letters he had written earlier from the Masonic cipher. â€Å"Right now, this grid is meaningless.† He spread the paper out on the desk. Katherine eyed the grid. Definitely meaningless. â€Å"But Durer will transform it.† â€Å"And how might he do that?† â€Å"Linguistic alchemy.† Langdon motioned to the computer screen. â€Å"Look carefully. Hidden in this masterpiece is something that will make sense of our sixteen letters.† He waited. â€Å"Do you see it yet? Look for the number 1514.† Katherine was in no mood to play classroom. â€Å"Robert, I see nothing–an orb, a ladder, a knife, a polyhedron, a scale? I give up.† â€Å"Look! There in the background. Carved into that building behind the angel? Beneath the bell? Durer engraved a square that is full of numbers.† Katherine now saw the square that contained numbers, among them 1514. â€Å"Katherine, that square is the key to deciphering the pyramid!† She shot him a surprised look. â€Å"That's not just any square,† Langdon said, grinning. â€Å"That, Ms. Solomon, is a magic square.† CHAPTER 69 Where the hell are they taking me? Bellamy was still blindfolded in the back of an SUV. After a short stop somewhere close to the Library of Congress, the vehicle had continued on . . . but only for a minute. Now the SUV had stopped again, having again traveled only about a block. Bellamy heard muffled voices talking. â€Å"Sorry . . . impossible . . .† an authoritative voice was saying. † . . . closed at this hour . . .† The man driving the SUV replied with equal authority. â€Å"CIA investigation . . . national security . . .† Apparently the exchange of words and IDs was persuasive, because the tone shifted immediately. â€Å"Yes, of course . . . service entrance . . .† There was the loud grinding of what sounded like a garage door, and as it opened, the voice added, â€Å"Shall I accompany you? Once you're inside, you won't be able to get through–â€Å" â€Å"No. We have access already.† If the guard was surprised, it was too late. The SUV was moving again. It advanced about fifty yards and then came to a stop. The heavy door rumbled closed again behind them. Silence. Bellamy realized he was trembling. With a bang, the SUV's rear hatch flew open. Bellamy felt a sharp pain in his shoulders as someone dragged him out by his arms, then lifted him to his feet. Without a word, a powerful force led him across a wide expanse of pavement. There was a strange, earthy smell here that he could not place. There were footsteps of someone else walking with them, but whoever it was had yet to speak. They stopped at a door, and Bellamy heard an electronic ping. The door clicked open. Bellamy was manhandled through several corridors and could not help but notice that the air was warmer and more humid. An indoor pool, maybe? No. The smell in the air was not chlorine . . . it was far more earthy and primal. Where the hell are we?! Bellamy knew he could not be more than a block or two from the Capitol Building. Again they stopped, and again he heard the electronic beep of a security door. This one slid open with a hiss. As they pushed him through, the smell that hit him was unmistakable. Bellamy now realized where they were. My God! He came here often, although never through the service entrance. This magnificent glass building was only three hundred yards from the Capitol Building and was technically part of the Capitol Complex. I run this place! Bellamy now realized it was his own key fob that was giving them access. Powerful arms pushed him through the doorway, leading him down a familiar, winding walkway. The heavy, damp warmth of this place usually felt comforting to him. Tonight, he was sweating. What are we doing here?! Bellamy was halted suddenly and seated on a bench. The man with the muscles unhooked his handcuffs only long enough to reaffix them to the bench behind his back. â€Å"What do you want from me?† Bellamy demanded, heart pounding wildly. The only response he received was the sound of boots walking off and the glass door sliding shut. Then silence. Dead silence. They're just going to leave me here? Bellamy was sweating more heavily now as he struggled to release his hands. I can't even take off my blindfold? â€Å"Help!† he shouted. â€Å"Anybody!† Even as he called out in panic, Bellamy knew nobody was going to hear him. This massive glass room–known as the Jungle–was entirely airtight when the doors were closed. They left me in the Jungle, he thought. Nobody will find me until morning. Then he heard it. The sound was barely audible, but it terrified Bellamy like no sound he had ever heard in his life. Something breathing. Very close. He was not alone on the bench. The sudden hiss of a sulfur match sizzled so close to his face that he could feel the heat. Bellamy recoiled, instinctively yanking hard at his chains. Then, without warning, a hand was on his face, removing his blindfold. The flame before him reflected in the black eyes of Inoue Sato as she pressed the match against the cigarette dangling from her lips, only inches away from Bellamy's face. She glared at him in the moonlight that filtered down through the glass ceiling. She looked pleased to see his fear. â€Å"So, Mr. Bellamy,† Sato said, shaking out the match. â€Å"Where shall we begin?† CHAPTER 70 A magic square. Katherine nodded as she eyed the numbered square in Durer's engraving. Most people would have thought Langdon had lost his mind, but Katherine had quickly realized he was right. The term magic square referred not to something mystical but to something mathematical–it was the name given to a grid of consecutive numbers arranged in such a way that all the rows, columns, and diagonals added up to the same thing. Created some four thousand years ago by mathematicians in Egypt and India, magic squares were still believed by some to hold magical powers. Katherine had read that even nowadays devout Indians drew special three-by-three magic squares called the Kubera Kolam on their pooja altars. Primarily, though, modern man had relegated magic squares to the category of â€Å"recreational mathematics,† some people still deriving pleasure from the quest to discover new â€Å"magical† configurations. Sudoku for geniuses. Katherine quickly analyzed Durer's square, adding up the numbers in several rows and columns. â€Å"Thirty-four,† she said. â€Å"Every direction adds up to thirty-four.† â€Å"Exactly,† Langdon said. â€Å"But did you know that this magic square is famous because Durer accomplished the seemingly impossible?† He quickly showed Katherine that in addition to making the rows, columns, and diagonals add up to thirty-four, Durer had also found a way to make the four quadrants, the four center squares, and even the four corner squares add up to that number. â€Å"Most amazing, though, was Durer's ability to position the numbers 15 and 14 together in the bottom row as an indication of the year in which he accomplished this incredible feat!† Katherine scanned the numbers, amazed by all the combinations. Langdon's tone grew more excited now. â€Å"Extraordinarily, Melencolia I represents the very first time in history that a magic square appeared in European art. Some historians believe this was Durer's encoded way of indicating that the Ancient Mysteries had traveled outside the Egyptian Mystery Schools and were now held by the European secret societies.† Langdon paused. â€Å"Which brings us back to . . . this.† He motioned to the slip of paper bearing the grid of letters from the stone pyramid. â€Å"I assume the layout looks familiar now?† Langdon asked. â€Å"Four-by-four square.† Langdon picked up the pencil and carefully transcribed Durer's numbered magic square onto the slip of paper, directly beside the lettered square. Katherine was now seeing just how easy this was going to be. He stood poised, pencil in hand, and yet . . . strangely, after all this enthusiasm, he seemed to hesitate. â€Å"Robert?† He turned to her, his expression one of trepidation. â€Å"Are you sure we want to do this? Peter expressly–â€Å" â€Å"Robert, if you don't want to decipher this engraving, then I will.† She held out her hand for the pencil. Langdon could tell there would be no deterring her and so he acquiesced, turning his attention back to the pyramid. Carefully, he superimposed the magic square over the pyramid's grid of letters and assigned each letter a number. Then he created a new grid, placing the Masonic cipher's letters in the new order as defined by the sequence in Durer's magic square. When Langdon was finished, they both examined the result. Katherine immediately felt confused. â€Å"It's still gibberish.† Langdon remained silent a long moment. â€Å"Actually, Katherine, it's not gibberish.† His eyes brightened again with the thrill of discovery. â€Å"It's . . . Latin.† In a long, dark corridor, an old blind man shuffled as quickly as he could toward his office. When he finally arrived, he collapsed in his desk chair, his old bones grateful for the reprieve. His answering machine was beeping. He pressed the button and listened. â€Å"It's Warren Bellamy,† said the hushed whisper of his friend and Masonic brother. â€Å"I'm afraid I have alarming news . . .† Katherine Solomon's eyes shot back to the grid of letters, reexamining the text. Sure enough, a Latin word now materialized before her eyes. Jeova. Katherine had not studied Latin, but this word was familiar from her reading of ancient Hebrew texts. Jeova. Jehovah. As her eyes continued to trace downward, reading the grid like a book, she was surprised to realize she could read the entire text of the pyramid. Jeova Sanctus Unus. She knew its meaning at once. This phrase was ubiquitous in modern translations of Hebrew scripture. In the Torah, the God of the Hebrews was known by many names–Jeova, Jehovah, Jeshua, Yahweh, the Source, the Elohim–but many Roman translations had consolidated the confusing nomenclature into a single Latin phrase: Jeova Sanctus Unus. â€Å"One true God?† she whispered to herself. The phrase certainly did not seem like something that would help them find her brother. â€Å"That's this pyramid's secret message? One true God? I thought this was a map.† Langdon looked equally perplexed, the excitement in his eyes evaporating. â€Å"This decryption obviously is correct, but . . .† â€Å"The man who has my brother wants to know a location.† She tucked her hair behind her ear. â€Å"This is not going to make him very happy.† â€Å"Katherine,† Langdon said, heaving a sigh. â€Å"I've been afraid of this. All night, I've had a feeling we're treating as reality a collection of myths and allegories. Maybe this inscription is pointing to a metaphorical location–telling us that the true potential of man can be accessed only through the one true God.† â€Å"But that makes no sense!† Katherine replied, her jaw now clenched in frustration. â€Å"My family protected this pyramid for generations! One true God? That's the secret? And the CIA considers this an issue of national security? Either they're lying or we're missing something!† Langdon shrugged in accord. Just then, his phone began to ring. In a cluttered office lined with old books, the old man hunched over his desk, clutching a phone receiver in his arthritic hand. The line rang and rang. At last, a tentative voice answered. â€Å"Hello?† The voice was deep but uncertain. The old man whispered, â€Å"I was told you require sanctuary.† The man on the line seemed startled. â€Å"Who is this? Did Warren Bell–† â€Å"No names, please,† the old man said. â€Å"Tell me, have you successfully protected the map that was entrusted to you?† A startled pause. â€Å"Yes . . . but I don't think it matters. It doesn't say much. If it is a map, it seems to be more metaphorical than–â€Å" â€Å"No, the map is quite real, I assure you. And it points to a very real location. You must keep it safe. I cannot impress upon you enough how important this is. You are being pursued, but if you can travel unseen to my location, I will provide sanctuary . . . and answers.† The man hesitated, apparently uncertain. â€Å"My friend,† the old man began, choosing his words carefully. â€Å"There is a refuge in Rome, north of the Tiber, which contains ten stones from Mount Sinai, one from heaven itself, and one with the visage of Luke's dark father. Do you know my location?† There was a long pause on the line, and then the man replied, â€Å"Yes, I do.† The old man smiled. I thought you might, Professor. â€Å"Come at once. Make sure you're not followed.†

Business Structures Essay

If someone wants to start a business, that person would have to decide which structure he or she would want to use. To know what kind of structure he or she has to know what kind of business he or she is trying to run and who will run it with him or her. Structures range from sole proprietorships and partnerships to corporations. When companies first start up, they consider sole proprietorships or partnerships, but as they grow into larger companies, they become corporations. When someone first opens a business it may just be him or her, those companies consider sole proprietorships, meaning a business owned by one person. There are several advantages when running a sole proprietorship. First is it is the simplest type of business to start and run and also it is not regulated as much. Also, sole proprietorships pay lower income taxes compared to other business structures. Last, when a company is a sole proprietorship, decision-making rest on the owner’s shoulders but the owner keeps all profits (Films Media Group, 2011). Even though there are some very good advantages owning a sole proprietorship, there are also some disadvantages. The biggest advantage is also the biggest disadvantage, the bills, debts, and major obligations. If the owner does not pay the bills, the company cannot run. Another big disadvantage is the capital the business has. If the owner does not have some other capital invested into the company, the company will not grow. The last disadvantage is running the company when the owner leaves or dies. Because there is no one else with stock, the owner has to let the company go (Parrino, Kidwell, & Bates, 2012). The next business structure is a partnership, which consist of two or more owners that legally run the business together. With a partnership, the owners know what his or her position in the company is and how the profits would be split. There are two different partnerships; a general partnership and a limited partnership. The general partnership has the same advantages as a sole proprietorship, but has one more disadvantage. All owners have unlimited liability regardless of  the percenta ge in the company (Parrino, Kidwell, & Bates, 2012). To avoid the big issue with a general partner, the partner would sign into a limited partnership. In a limited partnership, the company can have general and limited partners. One or more general partner has unlimited liability while limited partners only deal with the obligations he or she provides. To qualify as a limited partner, he or she cannot engage in the managing of the business (Parrino, Kidwell, & Bates, 2012). The last business structure is the biggest and the last to get to. Large companies consider themselves to be corporations. Corporations consider themselves as a â€Å"person,† where the corporation can sue and also be sued, borrow money, and own assets like real estate. An advantage of a corporation is that the stockholders have a limited liability for all of the corporation’s obligations. Because the corporation is a â€Å"person,† the corporation is taxed as a â€Å"person† on the income it earns (Films Media Group, 2011). References Films Media Group (2011). Planning Your Business: Research, goals, and business plans [Video podcast]. Retrieved from https://newclassroom3.phoenix.edu/Classroom/ToolContainer.jsp?context=co&contextId=OSIRIS:40817068&activityId=16e92012-daa3-4692-89b0-622c50a227b6&profileId=4136b5d5-519c-4e35-a63a-f84741e11cd2&syllabusId=OSIRIS:40817068&version= Parrino, R., Kidwell, D. S., & Bates, T. W. (2012). Fundamentals of Corporate Finance (2nd ed.). Danvers, MA: John Wiley & Sons, Inc..

Othello - Character Analysis Essay Example | Topics and Well Written Essays - 1250 words

Othello - Character Analysis - Essay Example With this dark side he is also very extroverted, and not very bright. He isn't observant and the schemes of Iago work well on him. Though he doesn't brood too much on his past, except occasional ventures of wars fought, he does let his emotions run his life. "Othello's condition as a black man--whatever shade of blackness he was--is further complicated by his condition as a colonial subject who wishes to adopt western culture. The play dramatizes the apparently unlimited possibilities of self-fashioning available to man in the Renaissance, only to deconstruct this optimistic self-fashioning or self-creation when race issues come into play. It is Iago's exploitation of the politics of colour and of Othello's double nature (proper to a colonial subject) that brings about Othello's downfall." ( Ana Mara Manzanas , Miscelnea: A Journal of English and American Studies Vol. 17 ,1996) For all the dangers and encounters he has been involved in, this man is still naive of the corruptness of people around him. Othello has a trusting nature in which he gives it all. He put all his trust in Iago during times of war and during Othello's marriage to Desdemona. This wasn't very wise of Othello, even if he wasn't trusting or more corrupt he still wouldn't realize Iago was lying. Everyone considered Iago as honest, and would be out of character for Othello to believe any different. One Othello's strong characteristic is the ability to take control over any situation. For example, when Barbantino comes to kill him he shows astounding power by saying: "Hold your hands, both of you of my inclining and the rest. Were it my cue to fight, I should have known it without a prompter" (I, ii, lines 80-3) Through the whole first act he is portrayed as a man with so much power and natural leadership and the drastic change in his personality towards the end is unbelievable. For example, when Lodovico had witnessed Othello hit Desdemona, he said: "Is this the noble Moor whom our full Senate Call all in all sufficient Is this the nature Whom passion could not shake whose solid virtue The shot of accident nor dart of chance could neither graze nor pierce" (IV, i, lines 264-8) Another place where Shakespeare shows Othello taking control over a situation is when Cassio and Montano are fighting after Roderigo antagonized him. You must feel sorrow for Othello because with all the power he has and the endless trust he gives, you try to reach out and show him the truth. Taylor makes an apt comparison with King Lear and Hamlet as follows: "There is no ferocity in Othello; his mind is majestic and composed. He deliberately determines to die; and speaks his last speech with a view of showing his attachment to the Venetian state, though it had superseded him. Schiller has the material Sublime; to produce an effect, he sets you a whole town on fire, and throws infants with their mothers into the flames, or locks up a father in an old tower. But Shakspere drops a handkerchief, and the same or greater effects follow. Lear is the most tremendous effort of Shakspere as a poet; Hamlet as a philosopher or meditator and Othello is the union of the two. There is something gigantic and unformed in the former two; but in the latter, everything assumes its due place and proportion, and the whole mature powers of his mind are displayed in admirable equilibrium". ( COLERIDGE, SAMUEL TAYLOR, 1822, Table Talk, Dec. 29). Othello had a dominant streak of jealousy in him. He was told