Lower middle class Essay Example for Free

Lower nerve center class EssayThis cargoner is an extract from M.T. Andersons dystopian novel of consumerism and corporate America. The musical passage is a dialogue between devil key characters, Titus and regal, who each represent contrasting views of the cyber mentality and advertising control. conflicting the passage the novel depicts humanities descent into a decaying society which has no redemption. This passage opens with a soon, scheming dialogue between cardinal characters, no names are mentioned and we really dont cheat who they are. Yet we sense there must be a bond between them because of the acquiescence of the snatch character (eg. I did, I listened). We realise that the chat (Anderson, 2002, pp. 96-97) is between the two key characters, Titus and Violet, on their foretell to a mall.Clearly the narrator is also the protagonist, Titus, teenager from an upper middle class family, who for the most start is content with his consumer lifestyle. In this coll oquy Violet is forcing him to question and resist the nutriment (Anderson, 2002, pp. 96-97) but he is distinctly too entrenched within the program to resist. Although he helps her create wild consumer profiles while at the mall, his mise en scene helps him resist her strong push to break away from those (Anderson, 2002, pp. 96-97) people.Titus is brainwashed to accept the trademark marketing of the bunk because he was chipped as an infant. Although he appears compliant in this passage, it is obvious that he is only doing it to please Violet, alrightok (Anderson, 2002, pp. 96-97). Just homogeneous in the rest of the novel Titus is blind to Violets spurring in escaping the course. It is clear he is unaware of the environmental disasters that are happening around him globally and as the passage suggests he is prepared to accept the status quo and conform because in his words thats the feed so what (Anderson, 2002, pp. 96-97).He is so oblivious of the dangers around him, he does nt even realise that her defense is causing her slow expiration. The she in the passage, is obviously Violet. She is the one directing and controlling the dialog between the two teenagers. It is clear that she has a sense of desperation and perhaps paranoia, because she recognizes that they are watching us right outright (Anderson, 2002, pp. 96-97). Her ramblings sound ridiculous to Titus despite the fact that he does exactly as she says. Violets political platform in this passage is to resist the feed by tricking them into thinking that she has a wide and random medley of interests in advertising.The reader is reminded that Violet is not a mainstream teenager, she has been raised by an eccentric parent and was home schooled. Making her different to Titus and his friends, who got their implant at infancy she received hers at the age of seven. Violet views the feed negatively, different from Titus and his friends, perhaps because she comes from a lower middle class background. Anderson creates her to challenge the system she is living under, as she says in the passage they tried to figure out who you aremake you conformits like a spiral (Anderson, 2002, pp. 96-97).Her disgust and her rebellion against this social norm that everybody else accepts will lastly shut round her body parts and because her father cannot afford repairs, her body will go into malfunction and she will eventually die. In fact the book ends with Violet dying and the feed saying everything must go (Anderson, 2002). This death creates a voice from Anderson suggesting a society of apathy and hopelessness. The narrative of this passage positions the reader to take sides. It is undecipherable just how contrasting the belief of the two characters is. The narrator is clearly submissive and the reader is eager to watch over out why. Why does he do as she asks?Why does he listen as she asks? unmatched is keen to find out the reason behind her pushiness. The passage opens with she said (And erson, 2002, pp. 96-97) and in the showtime two lines, he looks around (Anderson, 2002, pp. 96-97) as she tells him to, he listens (Anderson, 2002, pp. 96-97) as she instructs him, but it is clear at the end of the passage that he does not necessarily agree, as he says so what? (Anderson, 2002, pp. 96-97). The mall is used symbolically and metaphorically to represent the social demographic of these two teenagers lives and it is here that Violet is trying to bring over Titus to distance himself from the tentacles of the cyber octopus that is the feed.In fact, the telepathic closeness that this feednet creates between people is obvious in the prime(prenominal) couple of lines of this passage, where one character agrees with the suggestions of the other. The passage is structured with a combination of sentence lengths, it opens and closes with very short sharp phrases, almost building up into a vortex of explanation. In the middle of the passage sentences are longer because there is so much more to explain, making meaning difficult to understand. There is a distinct pattern of alliteration used as a force of reinforcement, she said (Anderson, 2002, pp. 96-97) and wanting, watching, waiting (Anderson, 2002, pp. 96-97).The bank bill of the passage begins with a casual conversation between two teenagers and develops almost into a political rhetoric. The conversation is almost childlike, simple, about toys (Anderson, 2002, pp. 96-97), about things (Anderson, 2002, pp. 96-97), about games (Anderson, 2002, pp. 96-97), hiding a more sinister and psychological message. The passage replicates Andersons overall view of society. He uses the language of youth culture, presenting the novel/passage in the first person narrative through Titus who is often unlikeable and unpredictable. In the passage the reader is positioned to accept Violets (her) view of the world because we cannot trust Titus biased point of view. Nevertheless, Anderson has created authentic adolescent v oices, sometimes slapstick but always honest.Titus represents the apathetic accepting team and Violet of course incites the readers appreciation for her challenge to a society, which is overlooking the dangers of overpowering consumerism. We cannot fail but see Andersons satire through Violets voice and his criticism of wealth, status, consumerism, corporate America, messaged advertising, conglomerates, and a society falling into a universal proposition disaster of its own making. The passage is short but captures the essence of Andersons meaning and criticism of societies obsess with consumerism.